This series dips into a well of femininity, visiting feelings of loneliness and fragility in what is already a foggy time, and speaks to how human it is to find momentary relief in synthetic iterations of our person at moments when it is hard to face ourselves. Filtered versions of reality shape the thinly veiled surrealist leanings in certain self-portraits, while others depict a more deliberate presentation of augmented reality, citing the high maneira attitude of art-imitating-art by making references to iconic imagery in popular culture through the use of Instagram filters that went viral throughout 2020. Our personal feelings are reflected in our collective feelings, which are mirrored back to us ad nauseum, forming a matrix through which the internet imposes itself on reality.